Detroit activists reviews the film, “Detroit,” and finds it insulting to actual history and a “brilliantly filmed wasted opportunity.”
A revolutionary critique of the “lynching” charge against Black Lives Matter activist Jasmine Richards and how it reveals the racism endemic to U.S. society and spotlights the revolutionary Black youth fighting against it.
The Chicago Teachers Union, Black Lives Matter, Labor and disability rights movements work together to oppose racism, government cutbacks and austerity
New York—Police here have been told to halt stop-and-frisk policies because they unfairly target Black and Latino youth. But the Transgender community in Jackson Heights, New York, is undergoing its own particular form of stop and frisk. Trans women, especially Trans women of color, are stopped on a daily basis, told that they have to submit to a search (which they don’t) and if they are found in possession of a condom (which is legal) they are arrested for loitering or prostitution.
Police in Brazil kill five times more people than do police in the U.S. So what’s it going to take to create a sustained movement of resistance and international coverage?
Protests erupted following the decision by a St. Louis County grand jury not to indict Ferguson police officer Darren Wilson for the cold-blooded murder of 18-year-old Michael Brown. Thousands marched under the slogan “Black Lives Matter!” These demonstrations grew in the wake of the equally outrageous decision of a Staten Island grand jury not to indict NYPD officer Daniel Pantaleo for the murder of Eric Garner.
Protests erupted after the cops who murdered Michael Brown and Eric Garner were let off. They mark a new moment of rebellion against a social order in which Black youth are made to live continuously suspended over an abyss of non-existence.
The passion to tear up this deeply racist society by the roots calls for the fullest development in activity and thought.
Wherever the bird with no feet flew she found trees with no limbs. —Audre Lorde
It is audacious for Dee Rees to begin Pariah with an image of Black women that today’s film is all too comfortable with, a scantily-clad pole dancer, and then cut to her film’s protagonist, Alike, a character that has little precedent [=>]