Susan Van Gelder reviews the book “The Purpose of Power: How We Come Together When We Fall Apart” by Alicia Garza.
On Jan. 20 thousands marched, some again wearing “Pussy hats,” in the second annual Women’s March. Police decided beforehand to estimate the crowd at 50,000, though it was clear that many, many more were actually there in one of several huge marches in the Bay Area.
Reports from the huge Women’s March from participants in Chicago, Ill., Detroit, Mich., Oakland, Calif., Nashville, Tenn., Memphis, Tenn., Los Angeles, Calif., and New York City.
The late Jayne Cortez was a major figure of the Black Arts Movement. She was a poet, musician and creative force unto herself. Born in Arizona, she was raised in Los Angeles’ Watts district. She married the great saxophonist Ornette Coleman in 1954.
Her work held “Free” at its center, its heart, as the great generation [=>]
Wherever the bird with no feet flew she found trees with no limbs. —Audre Lorde
It is audacious for Dee Rees to begin Pariah with an image of Black women that today’s film is all too comfortable with, a scantily-clad pole dancer, and then cut to her film’s protagonist, Alike, a character that has little precedent [=>]