On Aug. 27 in Berkeley, Calif., thousands came out to protest an “alt-right,” “No to Marxism,” demonstration including Black Lives Matter, feminists, Muslims, immigrants, leftists, and ordinary citizens against “hate.”
On the same day that General William Westmoreland waved the flag before Congress, Muhammad Ali refused to be inducted into the Army. While the general was applauded even by the doves, Ali was, within hours, stripped of his title of World Heavyweight Boxing Champion. War exposed the open nerve—”the Black Question”—which has always been the touchstone of U.S. history. It placed American civilization on trial before the world much more seriously than the “war crimes tribunal” in Stockholm.
Django Unchained is a Quentin Tarantino movie and thus, by definition, a bloody movie. There are horrific close-ups of violence in the latter part of the movie. But the reason that the movie has struck such a chord among millions of viewers is not the violence, but the type of violence that it is.
In the [=>]
AMERICAN CIVILIZATION REMAINS ON TRIAL
American Civilization on Trial (ACOT) is not “Black history.” Rather, Blacks play such an enormous role in the U.S. that their history that is in ACOT is a history of America.
The movie Django Unchained could have been an ad for the NRA’s position on the current [=>]
The 150th anniversary of the Civil War, and of the Emancipation Proclamation in particular, has a lot of people talking about that history and race relations today. Steven Spielberg’s movie Lincoln is less the cause than the effect of this surge in popular interest. Lincoln is very moving and beautifully made, with excellent acting and shrewd writing.
Tony Kushner’s screenplay [=>]