Demonstrations in Mexico City against legislation recognizing surrogacy; decriminalization of abortion in Colombia; organizations assisting survivors of domestic violence and other traumas oppose the truck convoy in Ottawa, Canada, as re-traumatizing women; FiLiA began their “Kakuma Campaign” in Kenya on behalf of the residents of Block 13, an LGB&T+ refugee camp.
FiLiA began their “Kakuma Campaign” in Kenya on behalf of the residents of Block 13, the LGB&T+ area of the Kakuma refugee camp; demonstrations in Mexico City against legislation on surrogacy; the decriminalization of abortion in Colombia; and people in organizations assisting survivors of domestic violence, war, homelessness and other traumas came out against the truck convoy in Ottawa, Canada, as traumatizing women.
Report on a speech by Charlie Evans, a Detransitioner and Bisexual woman, about issues affecting specifically Lesbians and Detransitioners within the LGBTQI movement.
Readers’ Views on: Puerto Rico:Trump’s Katrina; LGBTQ in Australia; Transgender in Texas; Women’s Liberation; Racism in Canada; Detroit and “Detroit”; Labor and Robots; Haitian Revolt; Why Read N&L?; and a Correction.
Adele’s review of Bonnie Morris’ “The Disappearing L,” which takes up why the Lesbian culture of the 1970s through the 1990s is disappearing and what was worthwhile in it.
A roundup of progressive legislation and legal victories involving LGBTQ people in Mozambique, Kenya, Botswana, and Zambia.
She’s Beautiful When She’s Angry is a documentary of the women’s liberation movement (WLM) in the U.S., from the late 1960s to the early 1970s. Filmmaker Mary Dore used a wealth of historical news coverage to give a sense of the breadth of organizations and depth of demands in the explosive growth of the WLM. Activists, identified within archival footage—including women like Fran Beal of the Civil Rights Movement’s Student Nonviolent Coordinating Committee, Lesbian rights activist Karla Jay, and Judith Arcana of the abortion underground organization Jane—gave contemporary interviews interspersed in the film.