This essay probes ways to make new beginnings in a period of reaction. It includes some of the themes of her work toward the book she had tentatively titled “Dialectics of Organization and Philosophy: ‘The Party’ and Forms of Organization Born out of Spontaneity.”
On the occasion of the publication of the new book “Marx’s Philosophy of Revolution in Permanence for Our Day: Selected Writings by Raya Dunayevskaya,” this essay explores Marx’s ideas on the basis of Dunayevskaya’s writings on them as a philosophy of revolution needed for our age.
The retreat of former Marxist-Humanists into post-Marx Marxism is analyzed by Franklin Dmitryev through the books “Marx at the Margins” by Kevin Anderson and “Marx’s Concept of the Alternative to Capitalism” by Peter Hudis, which appropriate some of Raya Dunayevskaya’s conclusions while quietly dismantling their philosophical framework.
The Paris Agreement on climate change reveals limits of what capitalism will do even in the face of catastrophe. The question is what kind of development can people in all kinds of countries achieve?
Paris Accord reveals limits of what capitalism will do even in the face of catastrophe. The question is what kind of development can people in all kinds of countries achieve? So long as the vision of an alternative, liberatory path of development is not made concrete as the energizing principle of a movement, a vacuum is left for false alternatives.
In celebrating the online publication of the Raya Dunayevskaya Collection, we present excerpts of her Introduction/Overview to Volume XII, which takes up the Marxist-Humanist concept of archives as not only retrospective but perspective, in the quest to establish “continuity with the historic course of human development.”
From the November-December 2010 News & Letters
From the Writings of Raya Dunayevskaya
Editor’s note: For the centenary of Raya Dunayevskaya’s birth, we present excerpts from her March 21, 1985, lecture at the Archives of Labor and Urban Affairs, Wayne State University, Detroit, at the opening of a three-month exhibition of the Raya Dunayevskaya Collection (RDC). The [=>]